The only reason I say that Ghost’s flow sounds like Superb’s is his rhyme pattern/flow is different from Ironman to Supreme Clientele, imo. Not saying that Superb could hold any weight to Ghost, but the flow changed a little bit for me. I call it the “crying rap”. Ghost wasn’t doing that pre-Supreme Clientele.

You’ll have to hit Big Texas up for one of his mixes…he is very good at that.

Glad ya’ll like!

Ghost & Giancana Alone Shyts On ANYTHING Played On The Radio Today…

And G. Rap MURDERS IT: We Let The Fours Dump/In The Forefront/What You Whores Want/Your Body Get Found Inside Of A Ford Trunk/Smellin’ Like Four Skunks/Clapped Up And Cut Into Four Chunks/Locked Down And Not Found For Four Months

Ask Someone To Write Something Like That Today…

AMAZING Compilation…

“Who’s the Champion” has always been one of my favorites. It’s a better mixed version of “I Get My Thang in Action”; there basically the same tracks…nothing different to me.

We didn’t forget “Stand Up”.

I remember reading that Superb (and Yayo) stated he (Superb) wrote Ghost’s rhymes. I refuse (like you) that Superb wrote the majority of those rhymes for those albums. Wu always borrow from each other. They take lines from each other to use for hooks, the producers give each other credit if the sampled record comes out of the others collection (that occurred a couple times on Deck’s joint with True Master and RZA), etc.

What I will say is Ghost’s flow on “Good Times” resembles Superb’s. I’ll say that Superb probably helped out with a good portion the music that came out during that time, but to write all of his rhymes….don’t believe it. I’ll have to admit (as a big Wu-Tang Fan) that Ghost’s flow and rhyme style changed a bit from Ironman to Supreme Clientele/BPW.

However, Superb didn’t write Ghost’s verse on “Buck 50″. Who would think of saying “High-tech armors merc you at the shows/Supercalifragilisticexpialidocious/
Dociousaliexpifragalisticcalisuper/Cancun, catch me in the room, eatin grouper..”

To me only Ghost would think to say that. I think Superb helped out a lot, but nothing more. Superb has been in jail for a min now and Ghost is still putting out quality music so them sour grapes don’t fly with me.

I did think Superb was nice though…can’t front.

I think I have that Wu-Tang demo joint….I got to go back and check it out to see if that Mef/Deck/U-God track is on it. That’s funny that Mef and U-God were in a three man group together before Wu-Tang is funny….not enough people to offset their different personalities.

Yo to the best of my knowledge “ghost and giacanna” was laced by the beatminerz.

One request for book 2 “Stand up” by Charli Baltimore. Rza hit the beat off lovely and both of them bodied that track viciously.

Funny thing. The “good times” joint was mad controversial cause there’s a version of it where Ghost spit an entire verse that Superb spit on “showdown” by baretta 9. There were statements made ( by tony yayo of all people ) that Perb was a ghostwriter ( no pun intended ) for Supreme clientele and Bulletproof wallets. To me he may have copped lines here and there but i refuse to belive that someone wrote his whole album for him. I mean come on it’s GHOST were talking about here.

But honestly speaking the Wu trade darts all the time. The song “drama” by Rza copped a whole verse from a Gza song on “words from the genius” and when i got a collection of rare wu tang demos a song with meth, deck and u-god ( when they were the DMD crew ) called “i get down for my crown” had the first 2 bars ghost spit on “cherchez la ghost” ( it was from a meth rhyme )

But crews influence each other all the time so it in no way tarnishes the wu at all. They still are the best to ever do it and when the best influence the best nothing but great things could come from that.

Word up on the mix for real. This joint is looking chunky. Great selection.