
On a message board the other day, one member listed a name of artist that he claimed were the best or whatever. Another member replied with an extremely witty remark: “What’s that, the lyrics to a Game verse?” Yeah, I laughed hard because after all, it is true. What has remained the biggest flaw of The Game remains to be his biggest, but it still is more or less his ‘thing’. I was excited to listen to his latest album, LAX, because despite all the name dropping, The Game is a fairly good artist and who knows, perhaps the drops would stop. Nope. With that said, the album named after the main Los Angeles airport displays Game’s patriotism of his city and state, as well as the general (now cliché) gangster lifestyle talk that certainly flies off of my radar.
The album starts off with an unintentionally funny intro. Let’s just say DMX is very religious. “LAX Files” is a retrospective look on the L.A. times and tribulations, but falls short of being intriguing and in depth. “House of Pain” continues DJ Toomp’s streak of straight heat and Game once again tells us about the Compton customs. Just like the past 2 Game albums, the guest appearances are heavy. Lil Wayne can’t seem to let go of the vocoder and offers a terrible chorus while Game offers probably one of his most introspective lyrical displays on the album with “My Life”.
The Kanye private jet stops in and Mr. West brings his Chicago brethren, Common, for “Angel”. The Kanye produced track is easily the standout cut on the album even though it falls far from the content and material that Game displays over the majority of the 19 track album. Common adds a great guest spot and the Gil Scott Heron sample will make you hit rewind a few times. If “Angel” isn’t the best track, then “Letter to the King” featuring Nas is. The song would fit beautifully on “Untitled” (as opposed to “Make the World Go Round”). It is a ballad for Martin Luther King Jr. that reminisces of positive African American figures and their impact from the perspectives and minds of Nas and Game. It really does hit a few strings and will leave the listener focused. Hi-Tek drops a very fitting and necessary beat; he still has the heat when he’s in that zone.
LAX is an above average album. If the comparisons start flying around, I’ll do my part and say that this is better than Doctor’s Advocate, but not better than The Documentary. This is simply because there are about 14 songs that focus on the same content and say the same thing. Sure, focusing on one topic is by no means a bad thing, but a great emcee can touch the topic from infinite angles and formulate techniques to provide uniqueness in the delivery and lyricism. Game doesn’t give that and perhaps that is why he was so acclaimed when The Documentary dropped. He is extremely introspective with his outlook on his life and his past, but he trails off and damages what could’ve been a great track. “Never Can Say Goodbye” is a great example of how Game finds himself laying a great first verse and totally losing any interest the listener had with a dull and boring second verse.
There is also no denying that by this point the name dropping is very freaking annoying. The result is laughter and chatter about how Game just dropped 5 names in 3 seconds, taking all the focus away from what probably was a great few bars. It is rumoured that this is his last album, but we all know how those retirements go, and even if it is, The Game has left a mark and really has rejuvenated the West Coast from a seemingly violent and typical subject matter to a rather expanded bunch of themes and proof that even the most hardcore of artist can be thoughtful and vigorous in their artwork. The plane is now boarding though; listen to this on your Ipod.
Overall Score: 74/100
Standout Tracks:
“Angel”
“Let Us Live”
“Letter to the King”
Related posts:
- Review: Zo! & Tigallo Love the 80’s!
- LAX: Original Samples
- Review: Soul-Xploitation
- Review: The Real Testament
- The In Crowd: Album Review
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