
As a huge philosophy buff, the term “Train of Thought” is that of special value. Many thinkers during the Renaissance began using this term to describe the flow of thought progression. They resolved that going from Topic A to Topic E, there is most likely going to be links in between. When one thought finished, everyone boarded the train and it moved on to the next thought, where another station provided so many other beautiful, depressing, intriguing, and relevant thoughts to be taken in. The link is continuous and although thoughts between A and B might seem distant, one can simply walk X amount of kilometers to reach the next destination .Next stop: Talib Kweli and Hi Tek, a duo that provides an album full of extensive and in depth thoughts with continuous flow. The producer out of Cincinnati and the BK MC form Reflection Eternal. Together they deliver one of the best releases of the first year of the new millennium.
The album moves along right away, it actually demands that we move with it. “Move Something” is an instant banger that gives the listener that live performance feel that Kweli gave plenty of in his earlier years. It is closely followed by “The Blast”, easily the most popular song, and arguably the best song on the album. Here, Hi Tek shows off a great flow and sincere lyrical ability (don’t be fooled, he’s usually mediocre at best) along with Talib Kweli, who delivers a beautiful verse over a mellow and futuristic beat. Blackstar brother, Mos Def, joins Talib for “This Means You” and over the amazing electric guitar and lively strings; the duo combines for yet another classic.
The flow of the album is perfect as each track just fits so perfectly with the one prior to it. “Too Late” is quite the haunting track, but it remains a purposeful dark standout in a rather bright tunnel. “Down For the Count” features Rah Digga and Xzibit spitting rugged and in-your-face rhymes over the Hi Tek banger. Kool G Rap is another feature on “Ghetto Afterlife” and just like he does on just about every feature of his career, he steals the show. Talib holds his own though, no doubt.
Kweli touches a variety of subjects, expanding from the African American culture to the diversity of love to the roles emcees like him play in hip hop to the in depth social/political lyricism that Kweli is known for. This might also be the albums biggest flaw as he seems to touch a bit on every topic as opposed to focusing heavily on just one. While the content is solid and important to analyze, we have seen better with a similar type from “Black on Both Sides”.
Kweli is at his lyrical peak on this album, especially with verses like this from “Eternalists”:
Yo we send this bullet straight towards your brain
We taking over like Moors in Spain there’s more to gain
Runaways get aboard the train (come on)
You can’t ignore the pain (no)
When it come down like the pouring rain
Caught the Train of Thought it clanked across the raw terrain
The cold weather break your spirit like a water main
I looked in your eyes and I saw the shame
Y’all don’t know that our greatness came before the chains
No you can’t imagine a future where this all can change
If one of us ain’t free then we all to blame
So we attack each other fighting project wars and thang
It’s all the same across the board we fall for game
You wanna see through that shit then you can call my name
Kweli I chop it up like raw cocaine
I drop gems at top ten, I’m not for the fame
You wanna test and I bet you get wrecked like lost planes
The production is great from Hi Tek, and eight years later, I’m certain that this is the best that he has delivered. His timing is perfect, his drums are strong, his sample usage is not beaten to death nor is it misused. He was really in a zone when making this album and with Kweli, they were certainly on the same page.
Despite all the great things mentioned about this album, the content jumping does hurt it slightly. Another ‘flaw’ is of course the flaw of Talib Kweli, his flow. This has been a problem for sometime that can be looked passed, but it really showed on this album. He seems to force a lot into one bar, this leads to an unattractive dribble of words in a sentence. He is saying all of the right things, but his structure could (and might always) need work. The flow of the album on the other hand is great and Kweli’s chemistry with Hi Tek is reminiscent of Prodigy with Havoc’s production. “Train of Thought” is a solid album that is any other emcee’s dream subway line, I also simply hope that listeners/audiences catch this train before it leaves or loses its style.
Overall Score: 84/100
Standout Tracks:
The Blast
This Means You
Too Late











































{ 23 comments… read them below or add one }
One of the greatest hip hop albums of all time… we need Reflection Eternal 2!
was just listening to this today… Really is pretty great
YO, I THINK Y’ALL DROPPED THE BALL ON THIS ONE. 84 OUT OF 100?!! COME ON MAN. TRAIN OF THOUGHT IS PROBABLY THE MOST BEAUTIFUL HIP-HOP ALBUM EVER. I DON’T MAKE IT A HABIT TO USE BEAUTIFUL AND HIP-HOP IN THE SAME SENTENCE TOO OFTEN, BUT THAT’S WHAT IT IS. THE ONLY ALBUM THAT COMES CLOSE TO IT WOULD BE THE FIRST FOREIGN EXCHANGE LP. EVERYBODY KNOWS THAT SOMETIMES KWELI CAN SOUND LIKE HE HAS A SPEECH IMPEDIMENT, BUT THAT’S HIM. THAT’S WHO IS IS. AND THE BEATS…MAN. ALL THESE SO CALLED “SOULFUL” CATS NEED TO LISTEN TO THIS ALBUM AND TAKE SOME SERIOUS NOTES. THIS IS A CLASSIC LP. I’M SORRY. I RESPECT YOU GUYS TO THE FULLEST BUT YOU GOT IT WRONG THIS TIME.
1 of my first/favorite albums i bought. Coincidentally, one of my first albums that got stolen. Go figure.
Kev, fire me… an 84 out of 100 is apparently really bad..
I’d love to know if you, Drew, read my review, you’ll see I did nothing but praise it
LIKE I SAID MAN I RESPECT YOUR OPINION WHOLEHEARTEDLY & YOU DID PRAISE IT THOROUGHLY. 84/100 IS GREAT. IT’S JUST THAT IN MY PERSONAL OPINION IT SHOULD BE SOMEWHERE AROUND 95. THAT’S JUST MY OPINION…AND YOU KNOW WHAT THEY SAY ABOUT OPINIONS. NO HARM, NO FOUL. PEACE…
95?.. goddamn
that was better than my score for Black On Both Sides too
Nice review! One of my personal favs no question. I agree the score should be around 95,I hear you about Talib trying to fit too many lyrics into bar but when you have verses as dope as “Memories Live” and “Good Mourning”, he can be foregiven – dude has alot to say! I think Train of Thought is a better album than Black on Both Sides, not sure if I’m in the minority with that statement………
peace
keep up the good work
Yo Deez good review I thought the score was a good one the album was definitely bumpin’. The thing I like about this lp is it can go up against anything out today and hold it’s own. The wordplay on this was far superior to anything out today.
That was my hip-hop album of the year for 2000. And it’s the best Talib and Hi-Tek have ever done, seperately or together, in their careers.
awww man this album changed my life…good review…BUT…while listening to this CD (over a million times) I never thought to myself “Man! Kweli sure is cramming a lot of words in his bars.” 90+ easily…but hats off…really informative review.
side note: I don’t think you can say BoBS or ToT is better…I think that both of these albums are perfectly matched. A Tie
good review but u gave it a B-…Really? Deserves no less than a A…
84? get serious. this album is atleast a 90 at LEAST. probably closer to 100 ye dig.
AND talib kweli is one of the illest mc’s ever, don’t ever disrespect his flow again. Dude goes hard as fuck.
Young K,
as much as your threats should scare me, they flatter me.
Kweli’s flow is easily his weakest link. That is really no secret. I’m one of very few people that actually think Kweli is better than Mos Def, heavily in the minority.
Are you guys (those complaining about the score) reading the review? Have you read my past reviews? If so, you’ll know that 85’s + which are essentially A’s, come few and far between. If I remember correctly, I’ve only had 2-3 A’s.
the 84 is fine, it says plenty about the album and the flaws in it bring it down. Not like it has a LOT of flaws, its certainly not a perfect album
Yo deez. Nice review. i like the way you broke this joint down. I never really made the connection that Kweli on Hi tek beat was like Prodigy on a Havoc beat. Son came off on the Kanye and madlib beats he got but Hi tek did provide a great canvas for him the naturally flowed.
The flaws you pointed out were spoken about by other reviews too. But talib says so much deep real shit that cats are gonna feel him regardless. Plus he done built up his flow since. Nice honest review about the record. I gotta say though that to me “memories live” is the best track
Stay up Sean D
I haven’t listened to this in a while, but this album was/is the truth. Lyrics were on point as well as Hi-Tek’s production from what I remember. I like his flow, but his voice use to bug me to death.
From what I can remember this album was “wordy,” but that was the beauty of this piece of work…what he was saying.
Sean you might be in the minority with your opinion that Talib is better than Mos. A Mos verse is like an event…not certain Talib has that effect..at least for me.
Another good review….I’m not so wrapped up in the score…that’s your view of this album….of course if this was a Nas review I would be up in arms…LOL.
this was a perfect album for the time that it released. I still play it today as if its brand new. this album was about becoming an adult, a man. kweli was just speaking on how he understood things at that point in his life. the special thing is that this was the first real hip hop album they I saw change some ppl here in the south.
at least you explained yourself, kweli is still incredible and i know a lot of niggaz that think he’s better than mos def (no disrespect to mos). I also still think kweli can flow for days and one of the best mc’s in today’s game.
top 10 of the greatest hip hop albums of all time for sho’!! is there an original samples version ?
Yup…
http://hiphopisread.blogspot.com/2008/02/reflection-eternal-train-of-thought.html
Good review and Brilliant Album. I think that Good MOurning is deff a standout track though
damn I missed that train – please Reflection Eternal II !