
Rick Ross has certainly had a whirlwind of controversy surrounding him, perhaps since he blew up with Port of Miami. He had legions of fans believing he was this huge cocaine kingpin, playing to his “boss” persona. This bubble famously burst when he was exposed for being (gasp!) a corrections officer with no ties to gangs or coke cartels. Combined with his beef with 50 Cent (which inspired 50 Cent‘s absurdly hilarious “Pimpin’ Curly” videos) and unflattering testimonials by ex-girlfriends, Ross was radioactive; rap fans didn’t want to touch him. But Ross, seemingly inspired by all of this, reminds us that in the end, it’s all about the music. If one’s music is on point, the peripherals don’t matter. As people point to his transgressions and harp on him for being a phony, Deeper Than Rap shuts all that out and delivers as one of the most enjoyable albums of 2009.
The notion of cocaine rap is an old concept, and it’s been done to varying degrees of classic success (Raekwon, Ghostface Killah, and The Clipse) to utter trash. There was a time when Ross fell closer to the latter. He couldn’t ride a beat to save his life and usually talked rhythmlessly over some pretty good production. While the Wu-Tang duo and The Clipse made the repetitive subject matter sound great time after time, Ross couldn’t keep it fresh. Then sometime between Trilla and Deeper Than Rap, Ross, somehow, learned how to flow. Unlike his previous projects, it’s not a chore to listen to Rick Ross rap. You don’t have to tune him out or try to find an instrumental version of the LP to enjoy the album. Granted, he’s not Rakim Allah reincarnated, and he’s prone to drop a “Boss!” ad-lib here and there, but he’s made significant strides in improving his flow and technique. Although he’s better at what he does, Ross stays in his lane and raps about what he “knows”: cocaine trafficking and sex, and he doesn’t deviate, save for gaudy materialistic references and a shot at 50 Cent.
To accompany Ross’ newfound competency, the production on Deeper Than Rap is the best he’s received to date. J.U.S.T.I.C.E. League absolutely steal the show on their 4 contributions, “Maybach Music 2,” “Magnificent,” “Yacht Club,” and “Rich off Cocaine.” J.U.S.T.I.C.E. League tailored their beats to fit Ross to a T, with lush, laid-back beats that are perfect for riding around Miami with the top down, just as you would imagine Ross the Boss would. And to the credit of the other producers, including The Inkredibles, The Runners, and DJ Toomp, they created the rest of the beats in that same vein, giving the album an excellent sense of continuity and coherence, which is no easy task with so many different producers contributing to one album.
Looking past the limited and repetitive subject matter, there really isn’t a huge flaw in Deeper Than Rap. The only slip-up on the tracklist is the Trina-assisted “Face,” which is woefully out-of place. It lacks the “crusin’” feel, a feel that makes the album such a consistent success. Also, Ross is probably best off not referencing his correctional officer past on “Valley of Death,” especially when he follows it by saying he moved coke while he was doing it, only because he had kids to feed. Investigations and official documents have proved Ross isn’t a coke trafficker, and I’m fine with him rapping about it because all he’s doing is portraying a character, not rapping an autobiography. But when he tries to blend this fantasy with his correctional officer reality, it comes off as painfully awkward, as it usually is when someone sticks to a lie despite being exposed.
Despite Ross’ attempt to be serious and “honest” on the track, it doesn’t work that well, as the album’s best moments come while Ross portrays himself as the Boss. His draw is not himself, it’s the character he presents, how he presents it, and the beats behind it. With this formula, Deeper Than Rap is Ross’ best album yet and is a strong bet to finish in the top hip-hop albums of 2009.
84/100
“Maybach Music 2″
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“Rich Off Cocaine”
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“Magnificent”
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