Drake: Homecoming Worth Top Dollar?

by Sean Deez on May 17, 2009

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Drake

*First off, big, BIG shout outs to my man Jason of Serious Entertainment for setting this up. I have yet to be in contact with a promoter and promoting team so eager to make sure something works out and their people are taken care of. Be on the lookout for any of their shows. * Photography courtesy of Ajani and 1 Love T.O.

Usually, a Wednesday night crowd is a toss up. It could be a complete sell out, a mediocre turn out, or a bust. But, with Drake‘s status as hip hop’s biggest up and comer at the moment, he’s been “buzzing like the pizza man.” A long entry line up of cars and people showed that this buzz was no joke. Drake’s homecoming in Toronto was going to be a jam packed affair at the Sound Academy on May 14th, even if each ticket was a whopping $40. Could a Bun B appearance only sweeten the deal?

There was an opening act, P Reign. It was such a bad performance that I really am at loss for words. He’s a solo artist, but you couldn’t tell with two of his boys on stage rapping too. So, yeah, let’s fast forward. (I support Toronto hip hop all the time, look around the blog for proof, but seriously, you have a chance to spit in front of 2300 people, and that’s the best you got?)

Fast forward to Drake (who came out in good time, 10:20PM) opening with a bang. 2300 people showed up, a sold out show. The dude hasn’t even put out an official LP yet and he’s doing this? Stomping in to “Congratulations,” lights blaring, fans gazing, this was an introduction done right. He continued the momentum with “Unstoppable” and then dropped a huge, huge surprise with “Uptown;” BUN B. An unexpected treat that the audience really couldn’t appreciate, as about 75% of the crowd had no idea what legend had just come up on stage with the current star. Regardless, for me, this was the highlight of the show (and I’m not that big of a UGK fan!).

With his performance of songs like “I’m Still Fly,” which brought out Page, “Successful,” and “Best I Ever Had” the crowd seemed momentarily alive, especially with the chorus on the very latter. However, when Drake dug into his lesser known songs, the crowd seemed like a deer caught in the headlights. “November 18th,” a song that in Houston has EVERYONE rapping lyric-to-lyric, had the crowd in silence.

drake21I expected more from the home town crowd, but Drake wasn’t exactly giving us enough to give back. He was immensely focused on his mic control (perhaps a little too focused) and this had both positive effects. On one hand, his intensity was evident; on the other hand he was cuffing the mic a little too much, making it hard to hear him (especially when he sang “Brand New”). Moreover, he seemed to alienate a large group of fans, moreso the fellas in attendance. The show became too much about the ladies: “Toronto, I love you. Ladies, this next one is for you!”

With that said, his encore performance was a little bit of a blunder. It was expected and slightly anti-climatic. Continuing on with “A Little Bit,” “Ignant Shit,” and “Man of the Year,” there was a noticeable awkward silence throughout the crowd. This was even more evident when he went into arguably one of his better, albeit older tracks, “City Is Mine.” Still, it seemed like people wanted, or at least expected more. He performed for a total of about 60 minutes, which is more than respectable, but it seemed like such a short 60 minutes. Most of the crowd left saying “that’s it?”

Still, there were a few weird moments throughout the show. The Lil’ Wayne montage, or should I say tribute that he did was really… interesting? And the R&B patches that were there to “slow things down” for the ladies only made the male crowd members feel a little uneasy and stagnant. There just wasn’t enough interest maintained throughout the show to really develop a type of hype, especially the kind of hype that this guy has generated.

It’s more than evident that Drizzy loves this city. He said it about 60 times throughout the show, which is amazing (and makes me feel guilty for speaking ill of the show). It’s sincerely hard to put 100% blame on Drake because, well, the crowd kinda sucked. It seemed like a lot of people were waiting for that “big thing.” Bun B was a huge jolt, but only to about a quarter of the crowd, and even “Best I Ever Had” acted as a temporary hype fix. There was never really a time where a consistent block of momentum developed.. It’s hard to validate a 40$ price for this show, but with a brush up on his live structure, the addition of a live band, and a greater feel for his crowd, Drizzy will undoubtedly be a star live act worth every penny. At least in Toronto on this night, he didn’t do much to impress… or maybe we are just hard to impress? You guys tell me.

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Follow: Sean Deez on Twitter


  • Addi “Mindbender” Stewart

    there’s lots of truth to this review. I attribute the successful failure of giving birth to the ready-to-burst pregnant potential more to the audience than to Drake though. For a guy who’s been performing for only 2 years (maybe less), he’s pretty good on stage. Yes, he cupped the mic too much, and yes, his live singing isn’t as strong as his rapping. But he’s got presence, timing, banter, and wit. Toronto’s utterly-impossible-to-please Screwface crowds would fucking find a way to complain if Tupac and Biggie themselves reunited on the ACC stage in this city. People didn’t rap along that much, cause they don’t love hip hop as much as some Americans do, straight up. I screamed every word of ‘Congradulations’. That’s my SHEEEIT, and Drake explosively blasted the show open with it. The encore needed to be tighter, yes, and he should not rap on record with vocals on them, but besides that, it was almost the event it was supposed to be. Me being the eternal optimist, I will say that I was generally happy with it, cause it showed how much potential we got as a city… but we’re not there yet.

    I was kinda let down that more people didn’t lose their fucking skulls when Bun B sauntered out. Peace to Deez, I’m glad you knew.

    Drake gave us a taste of the future, and the potential of Toronto’s collective power. If motherfuckers ACTUALLY show love to one of their rising stars… we might finally make some fucking hip hop history in 2009, LOL.

    “black hearts on my cardigan/ at your crib, telling your girl that we should order in…” :)

  • Holeyfield

    Yeah, I’ve heard that his concerts haven’t been that great lately but he’s still a new artist without an album yet. The experience is good for him in the long run but I heard that he had fans in Chicago waiting a long time before he even made the stage. Not smart for a new artist but I just don’t want him to turn into one of those rappers that only makes love songs cause dude can spit when he wants.

  • http://kevinnottingham.com Sean Deez

    Addi, spot on man. We agreed with most of the show’s status.

    I said this to a friend of mine earlier though…sometimes it’s great to see an artist on one of their earlier stage shows because you get to see them grow as an artist throughout

    that could be the biggest thing gained here. And quite frankly, this’ll be the cheapest he gets

  • http://kevinnottingham.com Thomas

    Ok….would it be fair to say that he is getting more love in other places than his home town/country? Is it the LB thing…..we global, but still called local?

  • http://m beatsneak

    ive been to many different concerts and most of them aren’t that great regardless of how good the artist is. Ive never seen Drake live before but compared to other rappers he’s not that good of a lyricist to begin with. I cannot understand why there is so much hype around this guy.What about Blu? Jay Electronica? Reks? I guess people just like simplicity

  • eA

    From what Deez has told me, the crowd doubtfully knew much about homie beyond JIMMY FROM DEGRASSI and “Best I Ever Had,” which is on constant radio play to suffice the Canadian Broadcasting regulations. I knew from the gecko it’d be a female [maybe, groupie is the term] oriented audience… and on top of that, his singing does NOT make my panties drop.

    But we ARE the screwface capital of the world, and any artists that comes here, comes here and KNOWS that. And if you don’t, you’re in for mad mean-muggin’.The [true] hip-hop lovers are hard to please in Toronto; we expect so much greatness, and I don’t know why. You have to put forth every effort in your bones to please us, I think, but that’s what it should be.

    On the flip, if I paid $40/ticket, I’d expect greatness. I didn’t even pay that much to see Nas a couple back. Give me a break Drizzy… It’s like, you have one Toronto artist doing a ‘pay-what-you-can’ tour and another charging ridiculously.

    Hopefully, his ego will burst a little and a proper performance will come about.

    ps, I’ve seen enough of Ajani’s photography and his skills are live.

  • http://iigunzent.com DJTommyIIGunz

    beatsneak I really have to disagree with you on one thing. Drake is definitely an excellent lyricist. You could say that his content is not very deep, but he’s definitely lyrically sound. I’d take Drake over ablout 80-90% of the rappers out right now. His metaphores are extremely well executed, he’s very witty. The only flaw I can honestly see in him lyrically is the depth of his content sometimes.

  • http://kevinnottingham.com Sean Deez

    lol @ knew from the “gecko”

  • CEELOS

    My friend won the tickets from the site thanks for the hook up deez. The show however was terrible deez covered everything perfectly.The crowd was wack but honestly thats the type of crowd his music attracts. I seen dudes singing best I ever had to each other pure homos.I wish bunb would of just taken over the show.P reign was brutal. I want drake to succeed i think he will but he is too soft at the end of the day for me.Cant wait for rock the bells and see a real show.

  • http://myspace.com/mrmag MaG

    i aint see the show deez but you pretty conmsistent when it comes to shows…i think its hard when you dont have like “bill” of cats worth selling to…like people prolly wanted to see wayne and if you aint t.i., jay-z, eminem then its hard to do all that by yourself cept for a great Bun b coming thru you kno? wale even got colin munroe and got tanya morgan coming thru and that covers a wide spectrum whereas seems like drizzy pretty much went for dolo…think he shoulda stuck to more intimate clubs and shows you know? so catz could really git da music and appreciate it…cause f what you heard, I’m a HUGE underground and old skool hip hop fan but drake can make really good music man….soft or “female orientated” or not, at the end of the day for me its all about the prodcut…in time he’ll prolly won’t need a whole bunch of guests but right now that’s what people I think wanted you kno?

  • http://myspace.com/mrmag MaG

    p.s. again deez thanx for da review man…wondered how well da dude would translate to stage

  • Shorty

    I was at the concert and I had a good time but I was thoroughly disappointed with the crowd. Having seen a bunch of clips of his U.S. shows on youtube I was expecting a lot from Toronto. In one U.S. city the enitire crowd sang the whole first verse of “brand new” and at Chicagos House of Blues the crowd took over the end of “every girl” and it was live and Drake looked like he was loving it. I thought wait til he comes to T.O we are gonna show them….well I was wrong. Myself I sang everything word for word but lost my enthusiasm quickly when know one else was singing along. It was also the shortest hour ever known to man. Overall the people around me were all having a good time so in the end that is all that matters. I am glad the crowd was well behaved though. For a guy who was a teen star on a Canadian show and has 3 mixtapes(no album) and only 1 video “replacement girl” that I’m aware of….it was impressive in that aspect to have a sell out at $40. At least it shows Toronto is behind this rising star and that is a good thing. I am happy I was able to witness this live so that when he blows up and does future shows I can see how he’s progressed and say I was there way back when….I was also happy I got to meet him later that night cuz he is such a cool, down to earth guy. Drake may not be for everybody(esp. the hardcore hip hop heads), but he does have great songs and is multi-talented and we should continue to support and rep him as he does such a good job of repping the T.Dot. If u were at the concert and didn’t enjoy yourself, just think u could’ve been at the Spring Ting flop fest ft Rick Ross, Young Joc, Bobby V, etc…there are worse concerts out there from established artists so all in all Drake did his thing for his first show in Toronto!!!

  • eA

    LMAO @ Gecko, i say that in my head. **GET-GO. My brain isn’t functioning, let me be.

    Can those who went really justify $40, though?

  • Shorty

    I myself am struggling with finances right now and wasn’t impressed with $40 but I wasn’t going to miss it so I had to pay up….I don’t believe it was Drake who came up with that price. I heard he had wanted to charge $20(which would’ve been nice), but who ever is in charge of pricing thought with all the buzz and hype and being his first T.O. show that they can charge more and people will pay….and that is exactly what happened. It’s a shame that we were over-charged for being the hometown….oh well that’s how things in this world work….sad but true!!!

  • http://kevinnottingham.com Sean Deez

    Shorty, you are right. That really one of the shortest concert hours I’ve witnessed.. Encore included

  • http://kevinnottingham.com Sean Deez

    Nah, ea, that’s the point of this review

    I hope I save people some cash, but at the same time, put into perspective what to expect. The thing is, this could be area specific. I doubt Drake came up with the price, rarely do they. Fact is, he was selling 20$ everywhere else.

    Shorty, the timing worked out fine because Best I Ever Had just began exploding up too. The Ticket master sales were through the roof. The VIP tickets were 120 and that area was packed…

  • http://kevinnottingham.com Thomas

    I haven’t been to a concert in a while….I’m gonna try to get to the Rock the Bells joint in Va, but to get good seats is a buck I believe.

    I’m curious to see how much the tickets were for this show in D.C. at Club Love. I would bet the .15 I have in my pocket those tickets were at least $60 and over a buck for V.I.P..

    I highly doubt he had a show for $20….or at least in D.C.. When is his album dropping?

  • http://kevinnottingham.com Sean Deez

    thomas.. 110 for vip in toronto or something
    40$ for regular standing

    its the most expensive he’s had thus far

  • eA

    no, no, it’s $151 general admin/standing NO ALCOHOL.
    I’m not paying close to $200 to stand. nor to I wanna spend nearly a bill to sit far away.

    but i wanna go. i’m so torn.

  • cali

    I heard hes charging $70,000 to do concert now

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