It’s interesting, I’ve always been a fan of simplicity, but this album cover really took me. It is kind of crazy how mesmerized I was by the simplistic album cover but not unusual. I’ve been known to juxtapose a piece of art or two in my day. Upon first listen of this Fort Lauderdale MC, I had no expectations. As one who is extremely critical of underground MC’s these days, I took this with a grain of salt and knowing as only this album cover about Trav Williams, I got all the hip hop I could handle.
The album has a variety of underground production that gives it an underground feel. If you don’t understand by now, this album kind of screams underground in just about any way. As an artist, Trav acts like a role player on a team; the grinder, the rebounder, the enforcer, etc. and does his job perfectly. But one’s greatest strength could be his greatest flaw as well.
It is important as an underground MC to present something extremely fresh and new. The opening track,” Walk Wit Me,” comes off as a cliché track about journey and reflection. Unlike most tracks on this album as well, this particular track drags on a little bit too long. The popular Mountain sample, or “Stepson of the Clapper” for all the Dilla fans, forms as the background for the DJ Skinny produced “Say It Loud” which more or less is a continuation of the aforementioned “Walk Wit Me.”
The horns of “The Anthem” blare in as Keenan (of “Brazilian Gangster” hype) drops a Pete Rock-esque beat and Trav drops some extremely passionate rhymes: I’m so sick of this working for the white folks/ getting paid minimum wage to keep the lights on/ stressed/ but still scribing in my notepad/ mom raised a man with no help and no dad. The second and third verses of this track are extremely strong and make me ponder the potential Trav has. “Something New” seems similar to something that the Cool Kids or Kids in the Hall would do with that particular braggadocio and smack talk.
At track 6 enters a personal favorite: “Tag-A-Long.” The production by the Distinguished Gents using this beautiful Delfonics sample is done to near perfection. Trav speaks humorous on the particular subject matter of a third-wheel, something most guys I’m sure have experienced. “Pressure” and “Moment” are both more heartfelt, passionate lyrical displays equaled with the production, with the latter of tracks being a tribute song and the former speaking of home being a part of Trav regardless of what happens.
It’s evident that Trav is all about hip hop. The blood, sweat, and tears allusion can certainly be applied to Trav and his team of producers who put out a rather good album. But as mentioned, Trav sticks to his role and never really display anything new or fresh (even “Something New” is being beaten to death these days). Go back to my comments about the album cover, simplicity. This seems to be the theme of the album due to its very ‘stay at home’ mentality. It plays things safe and as a result, at times this album felt repetitive, but the hunger in this MC kept me listening. It’s hard to hate something that you can tell has so much hard work put into it. Up and comers: take note.
Notable Tracks: “Tag-a-long”. “The Anthem”, “Pressure”
Tag-a-long
The Anthem
Pressure
Overall Rating: 69/100












10 Comments
Nice review man. Ya’ll seriously need to download this album… I’ve been playing this joint non-stop!
Good review. Can you explain the rating system?
Sure,
The rating system is similar to how teachers would mark students on an English or Philosophy paper.
Essentially there are many areas that I focus on gathered in particular groupings. You have specific sections such as MCing which contain lyrical ability, flow, delivery, structure, complexity, content. Production which focus on general rhythm, complexity, delivery, structure, sound, structure, and catch.
Overall synergy of both gets rated as well: does the beat fit the lyrical content? Does the melody match the flow..etc etc. Lastly, rating the album as a whole: Plot, theme, front to back execution, structure, uniqueness, interest, song placement, overall sound.
From there there are more or less 4 levels for each of these categories 1 (0-30) 2 (30-60) 3(60-80) 4(80-100) and from there I mark what level of a level they get…ie. an 80 differs heavily from a 90 but both are level 4’s.
Anyways, hope this helps
Sean’s got it down to a science, ya’ll! Dude definitely knows what he’s talkin’ about and we’re gonna see many more reviews from him.
Yo Sean, I added your rating’s blurb to your contributor’s link, so hopefully you won’t have to repeat yourself if someone asks this again. Great answer!
Thanks!
My question to Deez is… As the reviewer of this album, would you recommend listeners to download??
Sup Pee,
“I been this way, and I’m gonna be this way/ Fuck A critic tryna tell me what to say”
Isn’t that what you said in that track? So, my best advice is simply to get what you can from this review. I’m not the type of reviewer to scream ‘go buy it’ or ‘go download it’ I hope my words, comments, praises, and critique should do that enough. My rating system is the same of that too.
The non-smart ass reply would be that this album does deserve a listen to. There are plenty of elements in here that scream hip hop and that any hip hop fan would love.
This album is real dope!!! for sure DL it…and lookout for that Travis Williams and MoonChild collab album coming real soon on Hi-Hill Recordings!!!
Tag-A-Long is a dope track…nice review Sean
this album is classic…its hip hop…a breath of fresh air to tell you yht truth.